No Time to Die Metro-Goldwyn-Mayer & Eon Productions (2021) Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.
Drop in the Ocean Conservation International / Vision3 Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using AI motion tracking system.
Critical Distance Vision3 / Vulcan (2020) Social AR Experience produced by Vision3 and currently featured at the Smithsonian American Museum of Natural History in Washington.
Fantastic Beasts: The Crimes of Grindelwald Warner Bros (2019) Chris stereo supervised the second in the franchise, further developing the 3D language that he established on the first show.
One Strange Rock National Geographic (2018) One Strange Rock tells the story of how life survives and thrives on planet Earth, as told by eight astronauts from their unique perspective of being away from Earth for about 1000 days.
Moët et Chandon Iconoclast Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.
Fantastic Beasts and Where to Find Them Warner Bros (2016) Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.
Land Rover: Above and Beyond Jaunt VR / Vision3 (2016) Chris supervised this VR360 film, shot and post produced by Vision3 to celebrate the Land Rover sponsored Americas Cup team.
Voyage of Time IMAX Corporation Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.
Bermuda Plankton 3D nWave Productions (2015) Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.
In The Heart of the Sea Warner Bros (2015) Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.
David Attenborough’s Natural History Museum Alive Colossus Productions (2014) Stereo 3D | Chris Parks supervised the stereo 3D for this David Attenborough film through the prep and shoot with Angus Cameron taking over for Post.