• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  • Stereo 3D

  • IMAX

  • Plankton

  • Fine Art

  • Special Effects

  • Macro Photography

No Time to Die

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Kingdom of Plants

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

The Fountain

As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Saturn III

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

In The Heart of the Sea

Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.

Tree of Life

The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives.

Land Rover: Above and Beyond

Chris supervised this VR360 film, shot and post produced by Vision3 to celebrate the Land Rover sponsored Americas Cup team.

Altered States

Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.

Flight of the Butterflies

Peter designed and built a groundbreaking new camera rig for filming the unique sequences for Flight of the Butterflies, the follow-up to Bugs 3D.

One Strange Rock

One Strange Rock tells the story of how life survives and thrives on planet Earth, as told by eight astronauts from their unique perspective of being away from Earth for about 1000 days.

Scalextric

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

On The Wing

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


Ealing Film Loops

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

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