• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  •

    Stereo 3D

  •

    IMAX

  •

    Plankton

  •

    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

In The Heart of the Sea

Warner Bros (2015)

Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.

The Fountain

Warner Brothers (2006)

As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Solar Crisis

Gacken Co.

Peter and team relocate to LA for a month to create the sun for Solar Crisis, a Japanese feature film.

On The Wing

IMAX Corporation

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


Altered States

Warner Bros (1980)

Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.

Supergirl

Warner Brothers (1984)

Utilising the phenomena of total internal reflection, Peter creates an 'impossible to film sequence for Supergirl.

Flight of the Butterflies

PLF in association with Image Quest 3D

Peter designed and built a groundbreaking new camera rig for filming the unique sequences for Flight of the Butterflies, the follow-up to Bugs 3D.

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

Kingdom of Plants

Atlantic Productions & Sky

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Superman I

Warner Brothers (1978)

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

Lost Worlds

IMAX

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

VIEW MORE PROJECTS

© 1990-2022 Image Quest 3-D Ltd All Rights Reserved

© 1990-2022 Vision3 All Rights Reserved