• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  • Stereo 3D

  • IMAX

  • Plankton

  • Fine Art

  • Special Effects

  • Macro Photography

No Time to Die

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Saturn III

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Gravity

Stereo 3D | Chris Parks acted as stereo supervisor from pre production through to delivery supervising both the stereo VFX at Framestore and the conversion at Prime Focus.

Critical Distance

Social AR Experience produced by Vision3 and currently featured at the Smithsonian American Museum of Natural History in Washington.

Superman I

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

Cold War in a Country Garden

Peter was brought on to not only create the imagery of characters within tiny environments but to design the optics and hardware to capture it.

Flight of the Butterflies

Peter designed and built a groundbreaking new camera rig for filming the unique sequences for Flight of the Butterflies, the follow-up to Bugs 3D.

Bermuda Plankton 3D

Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.

Ealing Film Loops

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

Jamaica

The first project for Peter and the team that were later to become Oxford Scientific Films saw them filming in Jamaica, for the BBC's first ever colour wildlife transmissions.

Land Rover: Above and Beyond

Chris supervised this VR360 film, shot and post produced by Vision3 to celebrate the Land Rover sponsored Americas Cup team.

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

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