The Tree of Life is a film of vast ambition and deep humility, attempting no less than to encompass all of existence and view it through the prism of a few infinitesimal lives.
The first project for Peter and the team that were later to become Oxford Scientific Films saw them filming in Jamaica, for the BBC's first ever colour wildlife transmissions.
Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.
Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.
Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.