• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

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    IMAX

  •

    Plankton

  •

    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Scalextric

Scalextric (1987)

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

Drop in the Ocean

Conservation International / Vision3

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Altered States

Warner Bros (1980)

Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.

Solar Crisis

Gacken Co.

Peter and team relocate to LA for a month to create the sun for Solar Crisis, a Japanese feature film.

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

Saturn III

ITC Films (1980)

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Voyage of Time

IMAX Corporation

Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.

On The Wing

IMAX Corporation

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


Secret of Life on Earth

Chris Parkons

Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film

Deep Star VI

Carolco Pictures (1989)

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

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