• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

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    IMAX

  •

    Plankton

  •

    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Cold War in a Country Garden

Harry Saltzman (1977)

Peter was brought on to not only create the imagery of characters within tiny environments but to design the optics and hardware to capture it.

Bugs 3D

IMAX Corporation (2003)

Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.

Lost Worlds

IMAX

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

Altered States

Warner Bros (1980)

Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.

Life on Earth

BBC (1979)

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

The Fountain

Warner Brothers (2006)

As a modern-day scientist, Tommy is struggling with mortality, desperately searching for the medical breakthrough that will save the life of his cancer-stricken wife, Izzi.

Critical Distance

Vision3 / Vulcan (2020)

Social AR Experience produced by Vision3 and currently featured at the Smithsonian American Museum of Natural History in Washington.

Scalextric

Scalextric (1987)

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

Kingdom of Plants

Atlantic Productions & Sky

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Deep Star VI

Carolco Pictures (1989)

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

In The Heart of the Sea

Warner Bros (2015)

Stereo 3D | Stereo Supervision by Chris Parks and additional Stereography by Angus Cameron stereo production based out of Vision3.

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