• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  • Stereo 3D

  • IMAX

  • Plankton

  • Fine Art

  • Special Effects

  • Macro Photography

No Time to Die

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Cold War in a Country Garden

Peter was brought on to not only create the imagery of characters within tiny environments but to design the optics and hardware to capture it.

Bermuda Plankton 3D

Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.

Superman I

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

Solar Crisis

Peter and team relocate to LA for a month to create the sun for Solar Crisis, a Japanese feature film.

Moët et Chandon

Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.

Altered States

Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.

Scalextric

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

Jamaica

The first project for Peter and the team that were later to become Oxford Scientific Films saw them filming in Jamaica, for the BBC's first ever colour wildlife transmissions.

Secret of Life on Earth

Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film

Flight of the Butterflies

Peter designed and built a groundbreaking new camera rig for filming the unique sequences for Flight of the Butterflies, the follow-up to Bugs 3D.

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