• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  • Stereo 3D

  • IMAX

  • Plankton

  • Fine Art

  • Special Effects

  • Macro Photography

No Time to Die

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Secret of Life on Earth

Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film

Lost Worlds

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

Life on Earth

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

Land Rover: Above and Beyond

Chris supervised this VR360 film, shot and post produced by Vision3 to celebrate the Land Rover sponsored Americas Cup team.

Kingdom of Plants

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Scalextric

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

Deep Star VI

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

Flight of the Butterflies

Peter designed and built a groundbreaking new camera rig for filming the unique sequences for Flight of the Butterflies, the follow-up to Bugs 3D.

Ealing Film Loops

From 1965, Peter and three colleagues spent 5 years travelling the length and breadth of the US capturing subjects for the Ealing Film Loops.

Voyage of Time

Voyage of Time is a celebration of the universe, displaying the whole of time, from its start to its final collapse using Chris's fluid effects to create some of the most evocative moments.

Bugs 3D

Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.

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