• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

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    IMAX

  •

    Plankton

  •

    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Altered States

Warner Bros (1980)

Peter Creates psychedelic visuals to represent the hallucinatory effects of Sensory deprivation together with LSD than William Hurt's character experiences in Ken Russel's Altered States.

Saturn III

ITC Films (1980)

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Gravity

Warner Bros (2013)

Stereo 3D | Chris Parks acted as stereo supervisor from pre production through to delivery supervising both the stereo VFX at Framestore and the conversion at Prime Focus.

On The Wing

IMAX Corporation

Peter creates the most technically challenging sequence of his career, the over the shoulder view of a prehistoric dragonfly flying through a prehistoric jungle - on IMAX.


One Strange Rock

National Geographic (2018)

One Strange Rock tells the story of how life survives and thrives on planet Earth, as told by eight astronauts from their unique perspective of being away from Earth for about 1000 days.

Kingdom of Plants

Atlantic Productions & Sky

Peter and Chris film microscopic and carnivorous plants for Sky's 3D production 'Kingdom of Plants'.

Moët et Chandon

Iconoclast

Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.

Solar Crisis

Gacken Co.

Peter and team relocate to LA for a month to create the sun for Solar Crisis, a Japanese feature film.

Life on Earth

BBC (1979)

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

Secret of Life on Earth

Chris Parkons

Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film

Discovery

Peter shoots some of the most detailed deep sea images in seven weeks aboard the British Deep See Research Vessel Discovery.

Deep Star VI

Carolco Pictures (1989)

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

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