• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

  • Stereo 3D

  • IMAX

  • Plankton

  • Fine Art

  • Special Effects

  • Macro Photography

No Time to Die

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Deep Star VI

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

Drop in the Ocean

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Superman I

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

Flight of the Butterflies

Peter designed and built a groundbreaking new camera rig for filming the unique sequences for Flight of the Butterflies, the follow-up to Bugs 3D.

Lost Worlds

For Bailey Silleck's Lost Worlds, The team filmed a flight over Victorian insect collections and maps of Guatemala, insectivorous plants and special effects filming of falling rain drops, with the drop filling frame, as they tracked it descending.

Jamaica

The first project for Peter and the team that were later to become Oxford Scientific Films saw them filming in Jamaica, for the BBC's first ever colour wildlife transmissions.

Secret of Life on Earth

Peter and Chris again combine forces with Chris Parsons for the second time since Life on Earth for a Korean Expo IMAX film

Bugs 3D

Peter and Chris work build the camera rigs and optics to film they ground breaking IMAX film which was pivotal in Peter being awards his Oscar.

One Strange Rock

One Strange Rock tells the story of how life survives and thrives on planet Earth, as told by eight astronauts from their unique perspective of being away from Earth for about 1000 days.

Life on Earth

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

Solar Crisis

Peter and team relocate to LA for a month to create the sun for Solar Crisis, a Japanese feature film.

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