• Stereo 3D

    • IMAX

    • Plankton

    • Macro Photography

    • Fine Art

    • Special Effects

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    Stereo 3D

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    IMAX

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    Plankton

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    Fine Art

  •

    Special Effects

  •

    Macro Photography

No Time to Die

Metro-Goldwyn-Mayer & Eon Productions (2021)

Chris and his team at Vision3 spent two years on the show, designing and supervising Daniel Craig's last Bond film and the first to be released in 3D.

Life on Earth

BBC (1979)

Peter was responsible for shooting the first five programs of this ground-breaking series, that not only set the bar for Natural History documentary productions but also pushed the limits of documentary film making logistics and organisation.

Bermuda Plankton 3D

nWave Productions (2015)

Peter, Chris and team film a 3D Plankton dome experience by adapting early Nikon digital stills cameras in collaboration with Ben Stassen's nWave Productions.

Gravity

Warner Bros (2013)

Stereo 3D | Chris Parks acted as stereo supervisor from pre production through to delivery supervising both the stereo VFX at Framestore and the conversion at Prime Focus.

Scalextric

Scalextric (1987)

Peter films an over the shoulder view of racing Scaletrix cars - but not in the way he originally intended!

Drop in the Ocean

Conservation International / Vision3

Location based VR experience | Created by Adam May, Chris Campkin and Chris Parks. Shared experience using  AI motion tracking system.

Moët et Chandon

Iconoclast

Chris was brought on to collaborate on this iconic film celebrating life's most memorable events, creating abstract visualisations of those moments.

Deep Star VI

Carolco Pictures (1989)

Peter creates the special effect sequences for a Hollywood monster film with underwater sequences filmed both for real and using dry for wet techniques.

Supergirl

Warner Brothers (1984)

Utilising the phenomena of total internal reflection, Peter creates an 'impossible to film sequence for Supergirl.

Cold War in a Country Garden

Harry Saltzman (1977)

Peter was brought on to not only create the imagery of characters within tiny environments but to design the optics and hardware to capture it.

Saturn III

ITC Films (1980)

Peter again uses his technique from Supergirl to fly through the rings of Saturn for this Kirk Douglas feature film

Superman I

Warner Brothers (1978)

Peter turned his expertise in filming plankton to create the Red Barrier Effect for Richard Donner's Superman I on his first studio feature film.

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